One of the research avenues I am toying with pursuing is to review colonial Latin American conquest dramas such as The End of Atau Wallpa and The Loa for the Auto Sacramental of The Divine Narcissus. How do these conquest dramas express the attitudes of the native peoples toward colonization, and how do those performative reflections stack up to primary documents detailing those same attitudes?

In my major, it is important to recognize the importance of pieces of drama from parts of the world that are not Europe. And further, in recognizing those records as historically relevant, they are made all the more important in academia; we should study the texts in the same ways as we study Shakespeare.